Why does the creative industry have so few mothers at the top?
We discuss how parenthood affects people’s relationships with their creative identities, and explore the new mindset the industry could adapt to close the career gap for mums
We discuss how parenthood affects people’s relationships with their creative identities, and explore the new mindset the industry could adapt to close the career gap for mums
Older creatives have bags of experience and the ability to crack a brief like a walnut. So why aren’t studios and agencies hiring and keeping hold of more of them?
Universities and industry are inextricably linked yet serve different purposes – do they need to be more joined up for the creative industry to thrive?
Key to bringing new, diverse talent into the creative industry is to raise awareness at a school level, where the career opportunities it brings are still too often opaque and misunderstood
Despite urgent calls for diversity, the creative industries remain overwhelmingly middle class. We look at what can be done to allow new voices in
With a potential global recession on the horizon, brands are facing complex decisions, which will offer both challenges and opportunities for designers, says Design Bridge’s Tom Gilbert
From upfront costs to whether it’s worth shelling out for a studio space, we chat to creative studios about the financial side of setting up shop
When it comes to money in the creative industries, a culture of silence perpetuates pay gaps and leaves many shortchanged. We look at how creatives can navigate discussions and why a shift must come from the top down
The Manchester-based artist tells CR how embracing the element of chance, and stopping the endless quest for perfection, restored her love of illustration and gave her work a new lease of life
In an industry where people are often badly paid, it’s important to protect the ownership of creative work and ideas. But is this leading to a litigious culture that will ultimately suppress creativity? Richard Holman examines both sides of the question
Charles & Ray Eames didn’t just create iconic pieces of design – they thought of themselves as ‘tradesmen’ whose job was to create better, longer-lasting products. Llisa Demetrios, Eames Institute chief curator and granddaughter of the pair, discusses what we can learn from them
The metaverse offers exciting possibilities for education, including the potential for more diverse access to the creative industries. But only if it’s built with inclusivity at its heart, writes Ally Owen, founder of Brixton Finishing School