Creative Insight

Analysis of significant creative projects, people and trends

A man with braided hair wearing a blue Stone Island jacket and hat sat in a studio environment, shown on the Stone Island homepage

How Stone Island is using design to look forward

Once associated with British football fandom, the brand has been foregrounding its roots in technical craft – an emphasis carried through to its new website experience. We speak to CEO Robert Triefus and R/GA about using ecommerce for storytelling while fulfilling practical needs

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Dumb ways to fly

Foolish brand ideas are often surprisingly successful. So let’s take the most stupid ideas seriously and see them soar, says We Are Pi’s Rick Chant

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The Monthly Interview: Gary Vaynerchuk

We speak to the founder, investor, author, speaker and internet personality about creative entrepreneurship, the underrated power of optimism, and why his agency will never – ever – go public

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The hidden carbon costs of making an ad

We might reassure ourselves that there are for worse industries for the planet than advertising, but that’s before you break down all the steps involved. Maybe it’s time to do things differently?

How brands can respect sports with subcultural roots

The Olympics has brought sports such as skateboarding and breaking to new mainstream audiences. We speak to artist and breaker Frankie Perez and cultural strategist Skyler Hubler about how can brands can get involved while honouring the origins of these sports

Anya Hindmarch on the power of nostalgia

The Ice Cream Project by Anya Hindmarch is back for a third year. Here CR speaks to the founder about reworking the familiar into something extraordinary and how she’s utilised the rich history of food brands 

Are creators the new creatives?

CR looks into the increase in agencies and brands opting to work with creators in their campaigns, and examines the value they can bring, plus whether they present a threat to the traditional agency model 

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Are specialisms dead?

And does it matter if they are? We ask a range of creatives about whether the industry is oversaturated with generalists, why this might seem to be the case, and what is lost and gained

Graphic featuring a range of different size and shape crops of Brian Eno's face

Brian Eno, different every time

Gary Hustwit’s new documentary film about the prolific producer, artist and thinker is programmed to generate alternative versions each time it’s shown. The director explains why this approach is the only reason Eno agreed to take part, and the possibilities of this technology for filmmakers