Building the visual world of Fontaines DC
The band’s surreal new album visuals explore a darker, more grotesque side of romance. We speak to the creative team behind the campaign about challenging the visual tropes of rock music
The band’s surreal new album visuals explore a darker, more grotesque side of romance. We speak to the creative team behind the campaign about challenging the visual tropes of rock music
Gary Hustwit’s new documentary film about the prolific producer, artist and thinker is programmed to generate alternative versions each time it’s shown. The director explains why this approach is the only reason Eno agreed to take part, and the possibilities of this technology for filmmakers
Tokyo-based artist Akiko Nakayama has created ‘alive paintings’ for the producer’s forthcoming album, and will be joining him on tour to create improvisational visuals later this year
Cannes Lions is the biggest festival of advertising and design creativity in the world: here is a list of all the major winners for 2024
The producer has announced his long-awaited second album, In Waves, with a new single and a chaotic music video. Director Rosie Marks tells us about why it was shot in a swingers’ club and the surprisingly tender message behind it
Created by multidisciplinary studio Picnic, the 2D animation follows two characters communicating through the ether, which is neatly presented in an interactive experience that shows both perspectives
Donald Glover’s musical alter ego and long-time collaborator Hiro Murai have teamed up on a black and white choreographed epic for Little Foot Big Foot, which harks back to Jim Crow era America
Stunning cabaret performances at the Playgrounds and Offf festivals are taking director David Wilson’s work in a new direction. He explains how everything he does is interconnected and why not every director’s ambition is to make movies
Regular collaborator Aidan Zamiri has directed the music video for 360, which features a boardroom meeting of the internet’s favourite leftfield stars
The latest episode of Creativity Sucks! is taking on the contentious issue of pitching in the advertising and design industries
An expansive exhibition at London’s British Library unpacks Black British music history through archival materials and new commissions, including a five-channel film installation in collaboration with Touching Bass
In the first of a new interview series, Anna Higgs talks to Glenn Kitson about combining a career as an ad director with being a ‘meme lord’, and his strategies to stay centred and fresh in a world which can often just want more of the same